© Wadsworth Jarrell
On view
Howard Mele Gallery
Revolutionary,
1972
In Revolutionary Jarrell presents the Black American feminist, prison abolitionist, and activist Angela Davis in the midst of an impassioned speech. The image swirls with text: She is composed of fragments of the phrase “Black is beautiful,” her clothing comprises a quotation beginning “I have given my life to the struggle,” and the words “Revolutionary” and “Resist” radiate from her afro like a halo. Jarrell created this while Davis was wrongly imprisoned from 1970 to 1972 on charges of murder, kidnapping, and conspiracy, for which she was later acquitted. Here, she holds not a gun but a speakerphone, her voice her weapon. Once asked about whether she approved of violence, Davis scoffed, remembering her youth in Alabama where she frequently experienced racist attacks, including bombings that killed her friends: “When someone asks me about violence, it means that the person has no idea what Black people have experienced in this country.”
More Context
<p>In the late 1960s, Jarrell cofounded AfriCOBRA (African Commune of Bad Relevant Artists), an artists’ collective formed in Chicago with the intent of exploring and defining a global black aesthetic grounded in a shared African heritage. This vibrant, agitprop screenprint derives from Jarrell’s iconic <em>Revolutionary (Angela Davis)</em> (1971, Brooklyn Museum), painted in homage to the renowned political activist and intellectual. As in the painting, Davis wears a "revolutionary suit" designed by Jarrell’s wife, Jae, which incorporated a cartridge shoulder belt. Davis speaks into a microphone, with words and phrases—"love," "resist," "I have given my life to the struggle"—as well as the capital letter B (for "black," "bad," and "beautiful"), spilling into and completely filling the pulsating surface, which is executed in high-keyed "Kool-Aid" colors intended to evoke an uplifting response in the viewer. </p>
More About This Object
Information
1972
North America, United States