The Mouth,

1936

Originally trained as a graphic designer, Hans Bellmer began to create the disturbing, sexually charged scenarios for which he is best known in the early to mid 1930s, shortly after the Nazis came to power. Combining photography, painting, and Surrealist sculpture, these photographic tableaux feature female dolls or mannequins, which Bellmer subjected to a series of disquieting mutations. In this case, the artist fused together two sets of dolls' legs. Thanks to some suggestive scenography and the addition of pink pigment, these legs evoke both the female pudendum and a mouth ("bouche" is French for "mouth"), uniting the oral and the genital and aligning the processes of communication and consumption with elimination and procreation.