Currently not on view

Bathers,

after 1617

Sebastian Vrancx, Flemish, 1573–1647
formerly attributed to David Vinckboons, Dutch, 1576–before 1633
y1971-6
The pool in this imaginary garden is fed by many sources, including a candelabra fountain with a sculpted Hercules and Antaeus, based on one at Villa Castello near Florence. Other ornamental fountains, including a couchant lion, a baby riding a dolphin and waving a trident, and a wall fountain with a fluteplaying satyr—approximations of designs found at Florentine and Roman villas—also project jets of water. At the water’s
edge, women bathe and gossip, while exotic birds strut and a pet monkey turns from his snack, mimicking the ladies turning away from the jewels spread out beside them. This is a Northern daydream of the dolce far niente (pleasurable idleness). It may also reflect a fantasy about the lives of Italian women, here imagined as secluded as if in a harem.

Information

Title
Bathers
Dates

after 1617

Medium
Oil on wood panel
Dimensions
39.9 x 65 cm (15 11/16 x 25 9/16 in.) frame: 62 x 77 x 5 cm (24 7/16 x 30 5/16 x 1 15/16 in.)
Credit Line
Gift of Mrs. Thomas G. Cook
Object Number
y1971-6
Culture
Materials

Johan Steengracht van Oostcapelle (1782-1846); Hendrik Steengracht van Oosterland (1808-1875); Hendrik Adolf Steengracht van Duivenvoorde (1836-1912; his sale, Galerie Georges Petit, Paris, June 10, 1913, Lot 14); Schutz? [1]

Marie-Thérèse, comtesse de la Béraudière (née Brocheton, 1866–1958; her sale, Anderson Galleries, New York, December 11–13, 1930, Lot 283). Mr. Thomas G. Cook (1882-1965) and Mrs. Thomas G. Cook (née Grace Bigelow Tracy, 1888-1981); 1971 gift to Princeton University Art Museum.

[1]: Name inscribed in copy of auction catalogue held in the Library of MFA Boston

formerly attributed to David Vinckboons, Dutch, 1576–before 1633