On view

Art of the Ancient Americas

Yuguito,

1500–500 BCE

Olmec style
Early or Middle Formative Period
y1983-17
The term yuguito, derived from “yokes,” a term traditionally applied to the larger U-shaped hip-stones, was given because they share a basic shape with the yokes used to attach plows to beasts of burden like oxen. Scholars propose that yuguitos protected the hands or knees, although it remains unknown how they would have been attached to a ballgame costume or to the body. The contorted face of this yuguito includes one vacant eye socket while the other eye is swollen shut. Curiously, the otherwise human face includes a split serpentine tongue, suggesting that the depicted, brutalized ballplayer was a supernatural opponent. Geometric incised designs on the back side of the sculpture resemble incisions on Olmec-style pottery, suggesting a similar date. If this object is from that early era, it establishes a great range of time and cultural continuity for the representation of the disfigured tuerto (one-eyed) facial type.

Information

Title
Yuguito
Dates

1500–500 BCE

Medium
Dark gray granite
Dimensions
13 × 13 cm (5 1/8 × 5 1/8 in.)
Credit Line
Museum purchase, gift of the Wallace S. Whittaker Foundation, in memory of Wallace S. Whittaker, Yale Class of 1914
Object Number
y1983-17
Place Made

North America, Mexico, Mexico City, possibly Tlatilco

Marks/Labels/Seals
Carved into proper left edge of head: X. V. DEN...
Culture
Materials
Techniques

Miguel Covarrubias (1904-1957), Mexico City [1]. By February 13, 1972, Jay C. Leff (1925-2000), Uniontown, PA [2]; 1983, sold by Judith (Small) Nash, Works of Art, Inc., New York, to the Princeton University Art Museum.

Notes:
[1] According to Judith (Small) Nash. Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud, was a Mexican artist, ethnologist, and art historian.
[2] According to Michael Kan, Pre-Columbian Art of Mesoamerican from the Collection of Jay C. Leff (Allentown: Allentown Art Museum, 1972), cat. 19, ill.