On view

Ancient Mediterranean Art

Portrait of the Emperor Augustus,

ca. 27–1 BCE

Roman
Roman Imperial Period, Augustan Period, 27 BCE–14 CE, ca. 30 BCE–476 CE
2000-308
More portraits of Gaius Octavius, the adopted son of Julius Caesar, survive than of any other Roman. This bust would have been inserted into a full-length statue by the tenon that emerges at the base of the neck. While he initially ruled as Rome’s princeps, or “first citizen,” Octavian was proclaimed “Augustus,” or “august,” in 29 BCE, two years after the Battle of Actium, a victory that assured his political dominance. This portrait, though likely made many years later, refers to a model created soon after that victory and was designed to emphasize Augustus’s youth and military prowess. The marble was recently analyzed and determined to have originated from the quarries at Luna (Carrara, Italy), a frequent source for the material used for imperial portraits. Throughout his rule, Augustus’s portraits were replicated and disseminated across the empire, and his consistent representation across media aided in solidifying his position.

More Context

Handbook Entry

Gaius Octavius, the adopted son of Julius Caesar, won the civil war that followed Caesar’s murder in 44 B.C., defeating Mark Antony and ­Cleopatra at the battle of Actium in 31 B.C. Proclaimed "Augustus" by the Senate in 27 B.C., he ruled not as emperor but as <em>princeps</em>, "first citizen," maintaining the outward forms of the old Republic but dominating public life through his control of the army and such traditional offices as Tribune and <em>Pontifex Maximus</em>. Augustus’s official portraits, of which several types have been identified, were instruments of propaganda, erected in public spaces throughout the empire; over two hundred are known, more than of any other Roman. The base of this over-life-sized head is worked into a tenon for insertion into a separately carved body representing the ruler as a statesman wearing a toga or as a soldier clad in armor. Although carved when he was advanced in years, Augustus’s face is youthful and lean, and his expression captures his power and determination.

Information

Title
Portrait of the Emperor Augustus
Dates

ca. 27–1 BCE

Medium
Carrara (Luna) marble
Dimensions
40.5 × 23.2 × 24 cm (15 15/16 × 9 1/8 × 9 7/16 in.) base: 9.5 × 19.1 × 19.1 cm (3 3/4 × 7 1/2 × 7 1/2 in.)
Credit Line
Museum purchase, Fowler McCormick, Class of 1921, Fund
Object Number
2000-308
Place Made

Europe, possibly Italy, Roman Empire

Type
Materials

Purchased by the Museum from the Royal Athena Galleries in 2000.