On view

Art of the Ancient Americas

Macehual (commoner),

1325–1521

Mexica
Late Postclassic Period
2001-299
Small Mexica stone sculptures of commoners, like this one, often feature compact proportions, simple yet anatomically sensitive modeling, and a general lack of individuality. The seated pose, with arms crossed over drawn-up knees, is a standard male posture, in contrast to the kneeling pose reserved for female figures. The stoic expression captures the idealized Mexica citizen—humble, dignified, and anonymous. This piece may have served as a standard-bearer, with the standard inserted into the void formed by the figure’s crossed arms. It likely resided in front of a temple or shrine, perpetually present and penitent. Although this class of sculpture usually had recessed eye cavities for inlays, the shell inserts in this figure are probably modern additions.

More Context

The compact proportions, simple yet anatomically sensitive modeling, and lack of individuality of this figure epitomize small-scale Aztec stone sculpture. The seated pose, with knees drawn up in front of the chest and arms crossed, resting on the knees, is a standard male posture, in contrast to the kneeling pose reserved for female subjects. The stoic expression captures the idealized Aztec commoner-humble, dignified, and anonymous. This piece probably served as a standard bearer, with the standard inserted in the ring formed by the figure's crossed arms. The object likely resided in front of a temple or shrine, hundreds of which were located throughout the Aztec empire in religious precincts, in private residential compounds, and at important natural landmarks. The smooth area at the top of the head may have taken a variety of headdresses in accordance with seasonal festivals and specific temple rites.

Information

Title
Macehual (commoner)
Dates

1325–1521

Medium
Volcanic stone with inlaid shell eyes
Dimensions
41 × 24 × 22.2 cm (16 1/8 × 9 7/16 × 8 3/4 in.)
Credit Line
Gift of Dr. Alvin E. Friedman-Kien
Object Number
2001-299
Place Made

North America, Mexico, Central Mexico

Materials
Techniques

2001, gift of Dr. Alvin E. Friedman-Kien, New York, to the Princeton University Art Museum.