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Art of the Ancient Americas

Tecomate (gourd-shaped bowl),

1400–1000 BCE

Early Formative Period
1995-332
The complex and varied coloration of the outer surfaces of these objects is derived from their firing. The ceramics were fired in shallow pits at temperatures that did not exceed 1000 degrees Celsius. At such low temperatures, the colors of the clay and the slips—mineral or clay suspensions in water used to decorate vessels—will not change, limiting the potter’s palette to those natural pigments. If the pit is covered entirely near the end of the process, the lack of oxygen causes the pottery to turn black in a technique known as reduction firing. As seen in these examples, some early central Mexican potters experimented with this, producing patterned black or brown fire-clouds or smudges. The works thus suggest that their makers and users appreciated these unpredictable abstract decorative elements.

More Context

Tecomate is a Nahuatl term for a calabash gourd, but is also used by scholars for this type of spherical, gourd-shaped vessel. The complex and varied coloration on the white slip of the outer surface of these objects is derived from their firing. Because such thin vessels are particularly susceptible to cracking during the firing process, the temperature was carefully controlled by the placement of organic materials over the vessels, to limit the amount of oxygen. During firing, if the vessel is exposed to insufficient oxygen, the carbon in the clay is not released, resulting in discoloration of the white surface ranging from black to orange. Even today, such discoloration is prized for its aesthetic qualities among ceramicists, who refer to it as "fire-clouding." While the linear orange areas on these vessels may have resulted from the placement of organic materials, such as grass or other vegetation, over the firing pit, the black area may have been caused by an adjacent vessel, or by a larger mass of organic material that did not completely burn off during firing. As the vessels were not discarded but instead burnished after firing, producing a shiny, smooth surface, the resulting variation in coloration appears to have been appreciated by the artist and the patron. The works demonstrate that an aesthetic existed for such unpredictably abstract ceramics very early in Pre-Columbian art. They likely were used to hold a liquid during feasts or for ritual offerings.

More About This Object

Information

Title
Tecomate (gourd-shaped bowl)
Dates

1400–1000 BCE

Medium
Ceramic with kaolin slip and fire-clouding
Dimensions
h. 10.3, diam. 13.8 cm (4 1/16 × 5 7/16 in.)
Credit Line
Gift of Gillett G. Griffin in honor of Allen Rosenbaum
Object Number
1995-332
Place Made

North America, Mexico, Puebla, Central Mexico, Las Bocas

Culture
Materials

December 26, 1968, George Pepper (1913-1969), Mexico City, sold to Gillett G. Griffin (1928-2016), Princeton, NJ [1]; 1995, gift of Gillett G. Griffin to the Princeton University Art Museum.

Notes:
[1] According to Griffin’s Notebook 1-8.