Currently not on view

Ixion,

1588

Hendrick Goltzius, 1558–1617; born Mülbracht, Netherlands; died Haarlem, Netherlands
after Cornelis Cornelisz. van Haarlem, 1562–1638; born and died Haarlem, Netherlands
x1934-682
During his lifetime, Goltzius became celebrated throughout Europe as an extraordinary imitative artist who could observe, copy, and then surpass the works of both his forebears and his contemporaries. Made after designs by his compatriot Cornelisz. van Haarlem, this suite of engravings vividly chronicles the fate of four mythological characters who dared to challenge the gods. Two of the roundels depict darker scenes: the fiery descents of Tantalus, who killed his own son to feed the gods, and of Ixion, who ill-advisedly sought to seduce Zeus’s wife Juno. These tumbling figures balance the brighter images of Icarus and Phaeton: having flown too close to the sun, they hurtle downward, toward minute landscapes. Depicting the same muscular nude from different angles, the four prints collectively form a single sculpture in the round, demonstrating Goltzius’s masterful evocation of three-dimensionality through his virtuoso engraving technique.

Information

Title
Ixion
Dates

1588

Medium
Engraving
Dimensions
plate (sight): 33.4 cm (13 1/8 in.) sheet (sight): 35.6 x 33.5 cm. (14 x 13 3/16 in.)
Credit Line
Bequest of Junius S. Morgan, Class of 1888
Object Number
x1934-682
Place Made

Europe, Netherlands

Inscription
Two Latin distichs in plate in margin around oval: CVI SIBI COR PRVRIT PLAVDENS POPVLARIBVS AVRIS, VQEM FAMA STOLDIVM GLORIA VANA IVVAT. EXEMPLO SIT EI IXION, CVI IVPPITER ATRAM PRO IVNONA SVA SVPPOSVIT NEBVLAM. Initialed and numbered in plate, lower center: C.Corneli Pictor. Inue. / HG, Sculp. 4
Marks/Labels/Seals
Collector's stamp: Karl Eduard von Liphart (Lugt 1687)
Reference Numbers
Bartsch 79.261; Hollstein 309; New Hollstein 328; Strauss 260
Culture
Materials

Karl Eduard von Liphart [1808-1891, Lugt 1687]; sale of his collection, Leipzig, December 5, 1876, lot 933. Junius S. Morgan [1867-1932]; bequeathed to Princeton University Art Museum, 1932.