Currently not on view
The Sudarium of Saint Veronica,
1510, published 1510–12
Albrecht Dürer, 1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg
x1958-25
Martin Schongauer’s innovations in depicting light, shade, texture, and volume in his engravings greatly influenced the young Albrecht Dürer’s graphic work. Considered to be Schongauer’s masterpiece, this narrative scene of the Road to Calvary shows Christ’s face in the form in which it was transferred miraculously to the veil offered to him by Saint Veronica in a subsequent Passion scene. This type of icon, based on the veil (now a relic in Saint Peter’s in Rome) is called a sudarium and can be seen in Dürer’s woodcut below. The dramatic tension in Schongauer’s composition derives from the contrast between Christ’s calm, direct gaze, and the averted eyes of his agitated tormenters.
Information
Title
The Sudarium of Saint Veronica
Dates
1510, published 1510–12
Maker
Medium
Woodcut
Dimensions
block: 12.7 × 9.8 cm (5 × 3 7/8 in.)
sheet: 13.2 × 10.2 cm (5 3/16 × 4 in.)
Credit Line
Gift of John P. Poe, Class of 1922, in memory of Albert M. Friend, Jr., Class of 1915
Object Number
x1958-25
Place Made
Europe, Germany, Nuremburg
Inscription
Number and monogram in block, upper and lower centers: 1510 / AD
Marks/Labels/Seals
Watermark: [high crown]
Reference Numbers
Bartsch 38; Dodgson 82; Hollstein 147; Meder 147; Schoch 208
Materials
Techniques
-
Adam vom Bartsch, "Volume 7," Le peintre graveur ... (Vienne: J. V. Degen, 1803-05).
, no. 136, p. 147 - Arthur Mayger Hind, Albrecht Dürer: his engravings and woodcuts (New York: Frederick A. Stokes Company, 1911)., p. 14
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Campbell Dodgson, Albrecht Dürer (London: Medici Society, 1926).
, no. 125, p. 307 - Joseph Meder, Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen (Vienna: Gilhofer & Rauschburg, 1932)., no. 2, p. 273
- Erwin Panofsky, Albrecht Dürer (Princeton: Princeton University Press, 1945).
- "Recent Acquisitions," Record of the Art Museum, Princeton University 18, no. 1 (1959): p. 40-42., p. 40
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F.W.H. Hollstein, “Dürer,” German engravings, etchings, and woodcuts, ca. 1400-1700 (Amsterdam: M. Hertzberger, 1962).
, no. 273 -
Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).
, no. 2, p. 241